Two of the ambient world’s most respected voices, united in one collaboration. Julianna Barwick builds vocal landscapes that hover between choral textures and dreamlike electronica. Mary Lattimore lets the harp speak in drifting, cinematic memories.
On Perpetual Adoration, recorded at the Philharmonie de Paris using instruments from the Musée de la Musique, an 1873 Érard harp meets a 1970s PROPHET-5 synth. The sound is meditative, restrained and quietly breathtaking.
Barwick has worked with Jónsi, Yoko Ono and Nosaj Thing. Lattimore with Rachel Goswell (Slowdive) and Lol Tolhurst (The Cure). Not names you throw around lightly. For fans of Shida Shahabi, Nils Frahm or the softer side of Floating Points.
Support: Vines
Vines, the solo project of New York-based multi-instrumentalist and composer Cassie Wieland, offers a window into her inner world through expansive swaths of sound. She pieces together a celestial mix of synths, percussion, strings, and vocoded voice, making music that is at once deeply personal and cinematic in scope. This diaristic approach first took shape with her 2023 EP Birthday Party, and is crystallized on her debut LP, I’ll be here. With the sweeping and vulnerable I’ll be here, Vines arrives fully formed as an artist who crafts deeply resonant and open music – the kind that invites listeners in to listen, reflect, and share in the journey of learning through living.
Her music has been featured on Billboard’s Tiktok Top 50, Stereogum, KEXP, New Sounds, NPR, The New York Times, Financial Times, I Care if You Listen, AnEarful, and The Road to Sound.
