Two of the ambient world’s most respected voices, united in one collaboration. Julianna Barwick builds vocal landscapes that hover between choral textures and dreamlike electronica. Mary Lattimore lets the harp speak in drifting, cinematic memories.
On Perpetual Adoration, recorded at the Philharmonie de Paris using instruments from the Musée de la Musique, an 1873 Érard harp meets a 1970s PROPHET-5 synth. The sound is meditative, restrained and quietly breathtaking.
Barwick has worked with Jónsi, Yoko Ono and Nosaj Thing. Lattimore with Rachel Goswell (Slowdive) and Lol Tolhurst (The Cure). Not names you throw around lightly. For fans of Shida Shahabi, Nils Frahm or the softer side of Floating Points.
